Praised for her “transcendent” performances and her “rich, soulful…and comforting” tone (Bermuda’s Royal Gazette), cellist Kate Kayaian engages with audiences through her unexpected programming and her  lively commentary and introductions to works. Her curatorial focus brings to life the common threads linking a seemingly disparate group of pieces. Highlights of this past season include performances in Boston’s Jordan Hall, the Stroum Center in Seattle, WA, the Memorial Classics Concert Series in Houston, TX, and the Charleston Library Society.

Kate performs and records regularly with the Grammy-nominated group Boston Modern Orchestra Project. She has premiered over 100 works by some of today’s most innovative composers and has worked with such icons of contemporary music as Oliver Knussen and Pierre Boulez. She is currently working on her latest project–commissioning and recording a set of new works for solo cello. 

In addition to her recital and chamber music appearances, she has performed as a soloist with the New Trier Symphony, The New World Symphony, the Boston Youth Symphony, and the Bermuda Philharmonic Orchestra.

An active teaching artist and coach, Kate regularly offers workshops and master classes. Her teaching credits include directing the chamber music programs at the Boston University Tanglewood Institute and the Boston Youth Symphony Orchestras. She currently teaches cello and chamber music at the Bermuda School of Music, and is the writer of Tales From the Lane, a lifestyle blog for classical musicians.  

Born in Evanston, IL, she began her studies at the Music Institute of Chicago with the esteemed pedagogues Gilda Barston and Nell Novak.  She went on to receive her B.M. from the New England Conservatory. She was awarded a fellowship with the New World Symphony where she often served as principal cellist.  Her teachers have included Colin Carr, Gary Hoffman, and Ralph Kirshbaum.